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© @E Pictures 
| SELECTED FROM 


Tue OEHME Gatteries 


Sr (of 322 Fifth Avenue, N. W. Cor. 32d Street) 


ie Noe Ko a 4 On Exhibition at, and to be sold by 

. The Fifth Avenue Art Galleries - 
iat. a 546 Fifth Avenue, N. W. Cor. of 45th Street 
>). JAMES P. SILO, Auctioneer 


é 


- $106,980; New York 
Buyers Scarce, 


Piakeras of the Waves Ochs’ ‘eotlec- 


nue Art Galleries last night, with bid- 
ding in fits and. starts. Among the 
ae New Yorkers were rare. 


e brought $106,980. Mr. J. Epstein 


very delightful little picture, $11,000, 
the he highest price of the evening. 
Names of artists, titles of pictures, 


‘paid fol goal 


Henner’s ‘ 6 Red Shawl,” 0. Wisen » $550, 
Thaulow’s ae 


. 
bss epee Troubador;” R. Is. Gordon $650. 


Genes the Babys oO. De _ OF 
Ma ae Testis to the Stable;’” Ww. T,.. Can- 
sracls’s “Rest by the Wayside,” ms Glucksman, 
= ee Mecien'e “Shepherd and Flock on , the 


| Spring ;”” -Giucks- 
ue, H. I cwkag pt ne 400, 
the Loire;”” \$1,2 


New, “Novel :”” 

f $3 r a ] ner” hye 

“Corot's, “Morning in the ie” C. Cm 
: $3,000. w, : 


Day's Bh ghiy founDeak Bring | 


sere Landsca: e,” L. lL, Rem- | 
‘sen, $600, : 
Dae s “The Ferry,” H, A. Waller, $825. 
sper of Gesatpwhieas Forest, ¥. 
ee a “Departure of the Bridal Party,” WwW. OT. 
ers “Flemisa Tavern; LL. G. ‘Drake, - 


x fe 
fe Noraan hiss ae is i. B. ‘De 


> okie aie a ial 


c ip bap Laan 
Y-Souvenie don. MartinD, 0. 


tion were disposed of at the Fifth Ave- | 


venty-four mumbers of the cata- | 
ei om Mr. Oehme declares to be a, hoted | 


collector from Baltimore; paid for Dau- | 
bigny’s “Summer Day on the Seine,” a | 


names of the alleged. buyers and prices 


CATALOGUE 


of the Collection of 


Paintings in Oil and Water Color 
selected from 
The Julius Oehme Art Galleries 
(of 322 Fifth Avenue) 


z 


To be sold 
AT UNRESTRICTED PUBLIC SALE 
THURSDAY EVENING 
March 11th, 1909 
at 8:30 o’clock 
At the 
BPIFTH AVENUE ART GALLERIES 
546 Fifth Avenue, Cor. 45th Street 
where the Collection will be 
ON EXHIBITION 
Saturday, March 6th, 1909 
and following days and evenings 


until time of sale 


z 


The Sale will be Conducted by 


JAMES P. SILO, Auctioneer 


Conditions of Sale 


1. The highest bidder to be the buyer, and if any dispute arise 
between two or more bidders, the lot so in dispute shall be immed? 
ately put up again and resold. 

2, The purchasers to give their names and addresses and to 
pay down a cash deposit, or the whole of the pufrehase money, 
if required, in default of which the lot or lots so purehased to be 
immediately put up again and resold. 

8 The lots to be taken away at the buyer’s expense and risk 
upon the conclusion of the sale and the remainder of the purchase 
money to be absolutely paid. or otherwise settled for to the satisfae- 
tion of the auctioneer, on or before delivery; in default of which the 
undersigned will not hold himself responsible if the lots be lost, 
damaged. or destroyed, but they will be left at the sole risk of the 
purchaser. 

4. The lots to be taken away and paid for, whether genuine and 
authentic or not, with all faults and errors of description, at the 
buyer’s expense and risk, within Two DAYS from the sale; THE 
Firvn AVENUE ART GALLERIES not being responsible for the cor- 
rect description, genuineness, or authenticity of, or any fault or 
defeet in any lot, and making no warranty whatever. 

5. To prevent inaccuracy in delivery, and inconvenience in set- 
tlement of the purchases, no lot can on any account be remoyed 
during the sale. 

6. If, for any cause, an article purchased cannot be delivered in 
as good condition as the same may have been at the time of its sale, 
or should any article purchased thereafter be stolen or misdelivered, 
or lost. the undersigned is not to be held liable in any greater amount 
than the price bid by the purchaser. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited, all lots uncleared within 
the time aforesaid shall be resold by public or private sale, without 
further notice, and the deficiency, if any, attending such resale shall 
be made good by the defaulter at this sale, together with all charges 
attending the same. This condition is without prejudice to the right 
of the Auctioneer to enforce the contract made at this sale, without 
such resale if he thinks fit. 

THE FIFTH AVENUE ART GALLERIES are im no ways 
responsible for the charges or manner of delivery of goods purchased at 


their sale. 
JAMES P. SILO, Auctioneer. 


Preface 


Mr. Julius Oehme, in making this sale, is moved by 
a desire to reduce his somewhat extensive stock of 
pictures which has grown to larger proportions than he 
cares to carry and gives a greater responsibility than he 
desires to assume. For over half a century Mr. Oehme 
has been identified with the cause of the Fine Arts in 
New York, having been associated in his day with the 
house of Goupil & Co., and that of Knoedler & Co., 
while for the past fifteen vears he has had his own 
extensive galleries. He now feels he has earned the right 
to more leisure and less care. 

So these works are placed at unrestricted public sale 
and the opportunity is offered the connoisseur to secure 
pictures, many of which Mr. Oehme bought direct from 
the artist’s studio. The popular Dutchmen are adequately 
represented; there are several important examples by the 
Barbizon Men and the Frenchmen who have met with 
favor in America, while the other canvases will appeal to 
many differing tastes. 


Artists Represented 


CATALOGUE 

ARTIST NUMBER 
I ED eeu Ge we ele vane wae 23 
I ee ase Pale deen cele 34 
a TEE ge s,s SEA tv oe deck ees woe ee’ 52 
IMM OT aches cles iene en susvsuaneaes 16 
It So eee a eee ee tly ce ne ee os 70 
MI co i bs ikl ow blac 50 
cry ice 2025 0's a vin age ese a Vs ew ea oe vs ce 35 
OTE OTe ST 2g 19-71 
Sd ke Woy eal bee ws vee 3 32-62 
MD). os ee Oe vg bce be bene atecs 21-68 
SCT ae ae 14 
Ee PEA Pi Ey ow eee wine 56 
BC SOOT A aR 54 
OS a a Sa 55-72 
I yk orc k kc eae cs ake ble ows ne eee 5 
eT RO a de 26 
ee AUNT ae see cep cee en nde 8 
I eas wn ccets ig A eke ee he ee et 36 
ee es procicttstr scree 6 
en see Lt Sele ed avd gp wp diet he os ts noes 31-65 
UMMM RGRTE, wk ee ee ne ns hee viedo we ues 58 
urear, JULES... ... a eee Di oie a ae te gi 57 
NTO we Se eee blew ete hae eae 29 
ee ce ee PONY eg Sib Sele Gtewlc ae eee oe 0% 42 
Nec. | ya: s akan ra oo blalnced eb aie eoe eo nee 25 
MEE ELEN EL (2) 5. ee ae bee ee ese oe 53-64 
EM cy 5 pare ss cis wlepe eee eshe Oa soe Sakae Se oe 15-61 
RE go se ia ee ole She eles minis pradé nis w dee ee a 4} 
OP SUS LS a a eer ara Lee hier 44 
NE Gl fate ics cian y sl em em male ne a Sada 3 oe ae 45-69 
SPINS LAY E50, hon. ooo Gg ae ieceie aie neve wv ne oe ane 18 
Ra sgn Sh vie Wap le da ise eR ss RIE es ee 9 
MERRION fara aa ts aie ws vod rise OhaMe SO ins eB ww 9g sek Wa 59 


ch AE IAB Ge RG SoMa So ands oO Rene ae ree ar eae 45 


KIBSEL, CONRAD. 0:6. 66 0c 0 0 > + RRs Aire Oe cee 30 
KOTSOCHENREITER, HUGO... 1.550922 as)- > es a 4 
KRICHELDORF, H. Go. ne ce ee eine ia 40 
LAISSEMENT, Hy ig. ele te oe 0 een ne ee 24 
LADDER. Bo. W... cee ee ee ee = Mel ie ae en aoe ene t3 
LENBACH, F. VON... 05.56 0) 5 nee aie 60 
L’HERMITTE, LEON.........-+- 50088842 oe D1 
MARGH, VINGENZIO....0.-05+ ++ 05 © ty ve Smee c= ashe 39 
MARIS, JACOB... 02550050 ee 0g ats 73 
MAUVE, ANTON, .2...5006.00++0 5 seen te 000 46 
MEISSONIER, CHARLES....... Dre 38 
MONCHABLON, JAN.......- aa ea edhe sk 96a Fae OF 
OFFERMANS, TONY. ... 05-6 %0. + - as aoye a5 8 <4 eS oe 27 
RIBARZ, Rew cet ce ee ee ees 66 
Rico, MARTING): 27. Loe.) > ee eee 30 
ROULLET, GASTON, 6.50.0: 00s: +2 ee 1 
SCHREVER, ADOLF, 2.6.50. 00 00+ 4 tan Os = oie 6 enn ee 67 
SHURTLEFF, BR. Mo... ec cei ge ee nee «oe ee 22 
TpR MEULEN, PIBTER.../... ©0005 6293 60) Gee 49 
THAULOW, FRITZ (2). 20.00 05-2 ne ee qlee es 9 17-658 
THOLEN, W.. Poo. eke es cole 2 eee 10 
TROYON, CONSTANT... 00000005 0 9) oe ee 25a 
VAN BoskEeRcoK, R. W..: . 2... 02 se eee ee 7 
VAN DER WEELE, EG...) coe Nos. eee 12 
VAN ELTEN, KRUSEMAN......- 1.8.05 = 32 ose 2 
VAN MASTENBROEK, J. H.... . cp Se = oeetee ae 45 
VAN REOKUM, J. C2 ..450. 22 ss Seer es 2 11 
WRIBAND, Joc. catsn ee a nls eee ante eis = eae 28 
WBHISS, JOSE... ec ca de iw se Ce 20 
WRISSENBRUCH, J. H....,... 2s ae eee oe ee 47 
WOLBERS,: H. Gov... 0.0 eo ee ne one eee 3 
F7YEM, PELIX .. 0 2. fe oes bn 3 eee ie 74 


List of Illustrations 


ARTIST TITLE OF PLCTURE 
T> 1 { 
Jett. COROT 


Morning in the Valley 


CHARLES I*. DAUBIGNY 
Summer Day on the Seine 


ADOLF SCHREYER 
The Raiding Party 
JACOB MARIS 
The Dome, Amsterdam 
J. C. CAZIN 
Karly Morning, Outskirts of Paris 
JULES DUPRE 
Cattle in the Pool 


FRANZ VON LENBACH 
Magdalene 


FELIX ZIEM 
Canal la Giudecca, Venice 


JOSEF ISRAELS 
Rest by the Wayside 


B. J. BLOMMERS 
Children on the Beach 


HENRI HARPIGNIES 
Souvenir of Cape Martin 


ANTON MAUVE 
Return to the Stable 


MARIE DIETERLE 
Cattle, Normandy Farm 


CATALOGUE 
NUMBER 


No. 56 
NOY 
No. 67 
No..- 73 
No. 62 
No.83F 
- No. 60 
Nov #4 
i PRE 
sada ees 
va 
No. 70 
No. 64 
No. 46 
No. 58 


Sy 
; i Noss 
GASTON ROULLET 
FRENCH 
Contemporaneous 
VENETIAN CANAL 


Some fishing craft are anchored by the quay, their 
red and yellow sails making strong color notes. <A 
modern steamer with black hull is anchored to a red 
buoy and makes a strong contrast, while back of all 
is seen the beautiful city with its palaces, churches and 
towers, brilliant under the sunlight. It is a colorful 
Venice we have here, faithfully portrayed and full of 
the decorative quality of the place. 


Signed at lower left, “* GASTON ROULLET, Venise.” 


Height, 15 inches; width, 22 inches. 


No. 2 
KRUSEMAN van ELTEN 
AMERICAN 
BY THE RIVER 


A ‘placid stream flows through the composition bor- 
dered by woodland, through which we see some red 
houses. In the immediate foreground runs a pathway. 
A blue sky is filled with clouds that are brilhantly lit 
by the sun, and there are ripples on the water into 
which fall the shadows of the tree forms. A faithful 


transcript of American pastoral scenery. 


Signed at lower right, “ KRUSEMAN VAN ELTEN.” 


Height, 123 inches; width, 18} inches. 


\>° 


No. 3 
H. G WOLBERS 


DUTCH 


Contemporaneous 
BY THE RIVER YSSEL 


A herd of cattle are grazing in some lowlands by 
a river. One white animal in the foreground drinks. 
Another red one stands chewing her cud. Some lie 
down. Along the bank are a few houses and wind- 
mills while a blue sky is reflected in the water, making 


in all a brilliant scene. 


Signed at lower right, “ HW. G. WOLBERS.” 


Height, 114 inches; width, 174 imehes. 


No. 4 
HUGO KOTSCHENREITER 
GERMAN 


Contemporaneous 
GOOD ADVICE 


Two simple German peasants of the prosperous sort 
are seated before a table. One apparently proffers ad- 
vice. He is dressed in a blue coat and has gray hair. 
The other, an older man, sits meditatively with his 
hand on his chin. The chamber has arched walls and 
ceilings and a few prints are hung high up. A window 
to the left admits some light and there is a general quiet 
air to the picture. 


Signed at upper left, “ H. KOTSCHENREITER.” 


Height, 13 inches; width, 10 inches. — 


iS 
No. 5 


THEOPHIL H. pr BOCK 


DUTCH 
1850-1904 
DUTCH RIVER VIEW 


To the right of the composition is a cluster of red 
houses with the square tower of a church. A sea wall 
of gray holds the bank secure and some trees give a 
note of green. Boats lie at the wharf and in the dis- 
_ tance is a town half made out in the faint gray mist. 
A fine summer sky gives a sense of largeness to the 
composition and the surface of the water is ruffled. 


Signed at lower right, T. B.” 


Height, 111 inches; width, 18 inches. 


4 Dae 
yh No. 6 


F. DEUTMAN 
DUTCH 
Contemporaneous 
THE YOUNG MOTHER 


With tender solicitude, a young Dutch mother, seated 
by a window, holds her baby in her lap and looks 
intently at it. The woman, clad in sober black, wears a 
white cap and is of the peasant type. On a table behind 
her is a green jug and on the floor lies a discarded doll. 
Through the window one sees some green foliage. A 
homely, domestic scene rendered with much pathos and 
obvious sincerity. 


Signed at lower right, “ F. DEUTMAN.” 


Height, 23 inches; ridth, 18 imehes. 


No. 7 
ROBERT W. van BOSKERCK 
AMERICAN 
Jontemporaneous 
HVENING 


Under a quiet yellow sky filled with pink, roseate 
clouds, lie some marsh lands, and one sees the border 
of a stream on the surface of which is a white row- 
boat moored to a stake. A woodland is to the left and 
a house to the centre, while along the horizon appears 
to he a town, the smoke from the chimneys of which 
rises up against the evening sky. , phe canvas has much 
of the sense of approaching night-fall and many poetic 


qualities. 


Signed at lower left, ‘*‘R. W. VAN BOSKERCK,” 


Height, 18 inches; awidth, 30 inches. 


Ne 8 
A. DE CLERMONT 


FRENCH : 
EARLY MORNING, SPRING 


A group of three trees to the left arch over a path- 
way leading to some red-tiled farm houses, their roofs 
taking on beautiful color. An old fence encloses the 
place and the sky of tender tints enyvelops all in a 
warm, mellow glow. Very poetic is the rendering and 
genuine the sentiment of nature. 


Signed at lower right, “DE CLERMONT.” 


Height, 15 inches; width, 22 inches. 


i 


No. 9 
W. JORISSEN 
DUTCH 
Contemporaneous 
THE PET BIRD 


A young Dutch peasant woman is seated in a dimly- 
lit interior and is opening a bird cage. A little lad 
stands by, looking at her. The intimacy of the home is 
shown in many things on the walls and floors and a little 
window adimits the only light. It is one of those inter- 
esting bits of Dutch life the Holland men love to depict 
and render so well. 


Signed at lower left, *“« W. JORISSEN.” 


Height, 135 inches; width, 154 inches. 


No. 10 
W. B. THOLEN 
DUTCH. 
1860- 
GRAY MORNING ON THE CANAL 


This masterly panel represents a stretch of canal with 
two boats being drawn along. Some trees are to the right 
and a woodland at the back is half lost in a haze. A gray 
sky envelops the picture in a subdued tone and all is indi- 
‘vated with rare directness and breadth, the brushwork 
having distinction and authority. 


Signed at lower left, “ W. B. THOLEN.” 


Height, 144 inches; width, 22% inches. 


No. 11 
J. CO. van RECKUM 
DUTCH 
Contemporaneous 
THE WINDMILL 


An old Dutch windinill stands up against the sky with 
its sails furled. At its base is a hay-rick and a red-roofed 
dwelling house. A peasant is in a punt near the mill and 
a bridge crosses the stream further on near a clump of 
trees. There is a fine sky overhead of piled-up clouds 
with a patch of blue. 


Signed at lower left, “J. C. V RECKUM.” 


Height, 283 inches; width, 21 inches. 


No. 12 
HERMAN JOHANNES van pER WEELE 
DUTCH 
1852- 
THE NEW BORN LAMB 


A young Dutch peasant girl leads a flock of sheep — 
along a road at twilight. In her arms she holds a little 
newly-born lambkin, at which she gazes affectionately. 
She wears sabots and is dressed in a simple little black 
skirt, with a blue shawl over her shoulders. To the right 
is a shepherd dog and the twilight sky is. full of tender 
tones. There are some bushes to the right and a field 
stretches away to the left into the purple distance. — 


Signed at lower right, “H. J. VD WEELE.” 


Height, 27 inches; width, 35 inches. 


No. 13 
B. W. LEADER 
ENGLISH 
Jontemporaneous 
OUR SOUTH COAST 


Under a fine summer sky, full of cloud forins, lies a 
stretch of shore and sea. To the right is a group of 
houses with a windmill, a little seaside village and _ be- 
yond, a distant line of blue hills. The scene is on the 
shore not far from Cowes, where the regattas are held, 
and the truthfulness of the transcript is immediately 
apparent. Masses of rocks and seaweed litter the beach 
and some boats are drawn up on the shore. A capital 
example of this popular English artist’s work. 


Signed at lower left, “ B. W. LEADER, 1901.” 


Height, 12 inches; width, 20 inches 


S OD No. 14 
M. COULAUD 
FRENCH | 
Jontemporaneous 


MISTY MORNING 


Under the shadow of a willow tree, a shepherd brings 
his flock through the fields, along a road. He is assisted 
by his faithful dog who at the right of the animals keeps 
guard. The sun endeavors to break through the mist- 
laden sky and is seen, a white ball of light, while the 
distance is half lost. Very tenderly has the artist envel- 
oped his landscape in the morning light, keeping all in 
a mysterious haze most attractive and artistic. The 
canvas is a poem of the early morning rendered with 
alluring sentiment and charin. 


Signed at lower left, * M. COULAUD.” 


Height, 214 inches; width 254 inches. : 


No. 15 
J.J. HENNER 
FRENCH 
1829-1906 
THE RED SHAWL 


The model that M. Henner painted so much is here 
represented in all the glory of her Titian-colored hair 
which falls in a wealth over her shoulders and is accent- 
uated by the brilliant scarlet of her gown. The woman 
looks toward the spectator and her eyes are full of 
expressiveness. Her lovely neck and shoulders are of 
dazzling whiteness and the painting is of course, the last 
word in able craftsmanship. 


Signed at upper left, “J. J. HENNER.” 


Height, 10 inches; width, 74 inches. 


No. 16 
JEAN BERAUD 


FRENCH 


1849— 
LEAVING THE CONSERVATORY 


Coming out from the great doorway of the famous 
musical academy in Paris is a crowd of typical French 
students, nen and women. They are crossing the street, 
down which comes a cab. Many are carrying violins 
and some of the young women are accompanied by 
their chaperons. <A vista of the street ends in a misty 
distance, the houses half lost in the fog. The feeling 
of a Parisian street is well caught, and to the left of 
the picture stands an elderly fashionable flaneur of the 
boulevards who looks interestedly at the scene. 


Signed at lower right, “ JHAN BERAUD.” 


Height, 154 inches; width, 184 inches. 


FRITZ THAULOW 
NORWEGIAN 


1847-1907 


A BRITTANY LANDSCAPE 


The fall tints of warm yellows make the side hill 
a glow of color and against this comes a white house in 
front of which, in an orchard, are two Brittany peasants. 
The scene is laid near Quimperle, in Finisterre, and the 
autumn morning is brilliant under a blue sky with masses 
of clouds. Painted with much freedom and directness, 
one feels the artist to have been fully in touch with the 
effect he has represented on this delightful canvas. 


Signed at lower right, “ FRITZ THAULOW.” 


Height, 184 inches; width, 22 inches. 


No. 18 
GUSTAVE JACQUET 
FRENCH 
Contemporary 
DAME, LOUIS XVI 


With wonderfully facile brush, the artist has portrayed 
a beautiful young French girl of patrician mien, clad in 
a flowered gown, with a blue cloak thrown over her right 
shoulder. About her lovely neck is tied a brown velvet 
ribbon, from which is suspended a jewel, and in her 
powdered hair is a blue bow. The eyes are full of senti- 
ment and the complexion very delicate in its attractive 
tints. | 


Signed at left, * C. JACQUET.” 
Height, 184 inches; width, 15 inches. 


0 


No. 19 
LOUIS EUGENE BOUDIN 
FRENCH 
1824-1898 
JUAN LES PINS 


A little green headland juts out into the sea. It is 
covered with vegetation and large tree forms, which are 
silhouetted against the sky of blue. There are reflections 
in the water and some rocks, while a distant headland is 

‘seen against the horizon. Along this horizon there are 
some steamers, the smoke from whose funnels make 
upwards. Sky and water are of a deep and lovely blue, 
and there are ripples against the rocks in the foreground. 
The work is characteristic of the eminent Frenchman. 


Signed at lower left, “ K. BOUDIN 793.” 
Height, 181 inches; width, 214 inehes. 


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No. 20 
JOSE WHISS 
ENGLISH 
Contemporaneous 
BANKS OF THE SEINE 


The artist gives us here a stretch of the French river 
with the bank and distant country. All are under a bril- 
liant gray sky, to the right being some houses and trees. 
Near the horizon is a bar of light which is reflected in 
the water, while scattered about near the shore are masses 
of rock. It is a strong, vigorous impression of the land- 


scape painted with authority and charm. 


Signed at lower right, “Jose WEISS.” 
Height, 102 inches; width, 18 inches. 


No. 21 
WILLIAM M. CHASE 
AMERICAN 


Contemporaneous 


OHILDREN ON BEACH 


Under a turquoise blue sky, filled with little white 
clouds, some children play on the sands near the water. 
One little girl in white in the foreground arranges her 
hat; a little boy walks further along and a group is in the 
distance. The scene recalls the Long Island country 
where the artist has a summer studio, and it is painted 
with engaging enthusiasm. 


Signed at lower left, ‘Wm. M. CHASE.”’ 


Height, 143 inches; width, 20 inches. 


\- 
Va 


No, 22 
Ru M. SHURTLEFF 
AMERICAN 
Contemporaneous 
JUNE IN ADIRONDACKS 


Ina hollow in the woodland a deer stands grazing. 
A tall tree to the right centre raises its thick trunk and a 
spot of sunlight is seen beyond. The early tender greens 
are admirably given and the blue hills are seen through 
the opening at the centre. A white birch is noted 
occasionally, with luxuriant growth of ferns, while in the 


foreground are some rocks. 


Signed at lower right, “ WK. M. SHURTLEFF.” 


Height, 20 inches; width, 25 inches. 


23 
ALBERT AUBLET 
FRENCH 
Contemporaneous 


GATHERING FLOWERS 


Standing in a garden by a bush of yellow roses, is : 
beautiful young woman ina simple morning gown of pale 
pink. She gazes down at a bud which she picking and 
her head with its luxuriant mass of brown hair comes 
against the sky of blue. Rich, dark greens are behind 
her and pale green grasses come against her dress. A 
glint of warm sunlight catches her shoulder and waist 
and the canvas is highly decorative. 


Signed at lower left, “* ALBERT AUBLET, 1899.” 


Height, 24 inches ; width, 164 inches. 


No. 24 
H. LAISSEMENT 
FRENCH 


Contemporaneous 


TENDING FLOWERS 


A youthful cardinal in his trailing scarlet gown is 
standing before a lot of flowers which he is engaged in 
watering. He holds a china pitcher in his hands and 
looks lovingly at the growth on the stand which is placed 
before a great chimney-place, over which is a large mirror 
which reflects other parts of the room. The floor, of | 
quartered oak panels, bears on it a rug, and the fitting of 
the chamber is that of a palace. | 


Signed at lower left, “HW. LAISSEMENT.” 


Height, 24 inches; width, 194 inches. « 


No. 25 
BEN FOSTER 
AMERICAN 


Contemporaneous 


IRIDESCENT HOUR 


A sinall stream flows through a valley and is bordered 
by yellow grasses. Hills make up against the sky in 
which the sun is half obscured by a mist, the orb showing 
as a yellow disk. All the landscape is enveloped in a 
haze through which the country takes on pale yellow, red 
and green tones, giving a most poetic and suggestive 
effect. 


Signed at lower right, “ BEN FOSTER.” 


Height, 24 inches; width, 36 inches. 


No. 25 A 
CONSTANT TROYON 


FRENCH 
1810-1865 
THE FERRY 


In the foreground a large flat ferryboat, carrying a 
horse and cart, several peasants and four cows, has just 
reached the landing on a low muddy shore, and a horse- 
man and two cows, which have apparently just left the 
boat, are seen on a sloping roadway which leads to the 
village on the bank farther away. On either side the 
placid stream are lofty poplars and other trees, partly in 
sunlight and partly in shadow, and a barge, with a single 
sail and bearing the French flag, quietly drifts down the 
stream. The time is early sunset, and the disk of the full 
moon is seen high in the simple quiet sky. 


Marked at lower left, “VENTE TROYON.” 
Height, 254 inches; width, 32 inches. 


Collection of A. AUGUSTUS Heary. A OLXSK ne : Later = 


C. Bb. DENTRAYGUES 
FRENCH 
Contemporaneous 
PREPARING FOR THE FETE DAY 


A group of young French chorister lads are grouped 
about a table in a garden, upon which is massed a 
quantity of flowers. Others approach with baskets of 
roses, and two of these lads, in their vivid scarlet gowns, 
pelt each other with leaves, while a third empties his 
basket on the head of one of the combattants. A black 
poodle dog looks on in evident enjoyment and the ground 
is strewn with leaves. Back are the formal walks of the 
garden, with much interesting green stuff and tree forms, 
through which the sunlight falls, and a touch of autumn 
Is apparent. 


Signed at lower right, * D’ ENTRAYGUES.” 


Height, 19 inches; width, 29 inches. 


No. 27 

TONY OFFERMANS 
' DUTCH 

THE LITTLE SISTER 


A mother stands by the side of a eradle, from which 
she lifts a green cloth, disclosing to a little child the new 
baby. The small girl gazes at it with wrapt attention, 
her arms behind her. The hight coming in through a 
window at the left floods the room, and there is a tiled 
mantel-place to the right. Some plates are over the 
chimney and a lamp is suspended from the ceiling. The 
scene is characteristically Dutch. | 


Signed at lower left, “*T. OFFERMANS.”’ 


Height, 324 inches; width, 23 inches. 


No. 28 
JOHANNES WEILAND 
DUTCH 
1858- 


THE DROPPED STITCH 


A Dutch mother is seated by a window in a humble 
interior. She knits at a stocking and by her sits a little 
girl who gazes intently at the work. On the floor is a 
basket of vegetables and through the white curtains the 
sun strikes the green outside and brilliantly illumines it. 
An old mirror hangs by the door and to the left a pot is 
suspended over a fire. Some fagots are near by to 
replenish the blaze. The scene is essentially of Holland 
and the simple peasant folk. 


Signed at lower right, J. WEILAND.”’ 


Height, 25 inches ; width, 21 inches. 


No. 29 
ANTON FABRES 
SPANISH 
Contemporaneous 
ORIENTAL MUSICIANS 


Two Oriental musicians, a man and a woman, are at 
the entrance to a building. The former stands, beating 
adrum. The woman plays on a stringed instrument and 
is seated on a rug of beautiful design. Both are pictur- 
esquely garbed and both are singing. On the stone wall 
is an affriche in the Turkish characters and at the top of 
the picture is suspended a rug. Painted with great 
dexterity, the composition arrangement is interesting and 
there is a freshness about the work that is striking. 


Signed at lower right, “ A. FABRES.” 


Height, 32 inches ; width, 26 inches. 


> 


No. 30 
PROFESSOR CONRAD KIESEL 
GERMAN 
Contemporaneous 
EASTER LILIES 


A very beautiful young Roman girl is standing in a 
garden of lilies. In one arm she holds a copper pot full 
of white and yellow blooms, and at her waist she has 
pinned a deep red rose. She wears a blue dress and bodice 
and a white chemisette, while her curling brown hair falls 
gracefully over her temples. Behind her is a tiled wall 
with tree forms beyond. The sparkle of light and air is 
well conveyed, the picture having an alluring brilliancy. 


Signed at lower right, “ CONRAD KIESEL.”’ 


Height, 38 inches; width, 24 inches. 


No. 31 
NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH 
1809-1876 
INTERIOR OF FONTAINEBLEAU FOREST 


A deep, rich sense of the woodland is given here with 
some sturdy tree trunks that catch glints of sunlight. A 
figure lurks behind one of the trunks and through the 
leaves is caught a vision here and there of blue sky. It 
is such a scene as Diaz delighted in and painted many 
times with great feeling and sentiment. 


Signed at lower left, “N. D1az.” 
Height, 104 inches; width, 8 inches. 


No. 32 
J. C. CAZIN 
FRENCH 
1840-1901 
FROM MY STUDIO WINDOW 


This exquisite sketch of Normandy sand dunes under 
a beautiful evening sky, was painted by the late M. Cazin 
from his studio window. The beauty of color, the envel- 
ope of poetry and the interesting contrast of tones make 
this as representative a picture by the lamented master as 
could well be found. 


Signed at lower left, ‘J. C. CAZIN.” 


Height, 53 inches; width, 84 inches. 


' No. 33 
MARTIN RICO 
SPANISH 
Contemporaneous 
JULY EVENING, VENICE 


AA typical scene on the Grand Canal with many 
gondolas drifting about. Various notable buildings are 
shown and softened by the mist in the distance. A few 
sails of various colors may be seen and some piles are 
reflected in the water. The sky is very tender in tone 
and flecked with golden clouds while the sense of a 
Venetian summer is well expressed. 


Signed at lower left, ** Rico.” 


Height, 184 inches ; width, 283 inches. 


No, 34 
RENE AVIGDOR 
FRENCH 
Oontemporaneous 


LADY OF QUALITY 


A beautiful young woman is represented with down- 
cast eyes. She has a wealth of brown curling hair in 
which is a poppy. Her gown of green is trimmed with 
lace, which falls in easy folds, showing a pair of fair 
shoulders. The treatment is in keeping with the dainty 
femininity and is executed with rare facility. 


Signed at upper left, “ RENE AVIGDOR.” 


Height, 254 inches ; width, 21 inches. 


No. 35 
F. BRUNERY 
FRENCH 
Contemporaneous 
THE EAVESDROPPER 


In a gorgeously-furnished apartment, rich in elaborate 
ornaments, with polished inlaid floors and gold decora- 
tions, is seated a beauty of the French Court. A cayalier 
in green kneels before her, and near by, fast asleep in his 
chair, is a Cardinal in his searlet robes. Through an 
open doorway a pretty serving maid overhears the 
awnorous declaration, to her obvious entertainment. The 
detail of ormolu clocks and side pieces, the reflections in 
mirror and the splendid portraits about the walls, is car- 
ried out faithfully and dexterously. 


Signed at lower right, “F. BRUNERY.” 


Height, 22 inches; width, 18} inches. 


WW \) 

(Su : No. 36 

CESARE DETTI 
ITALIAN 


Contemporaneous 


DEPARTURE OF THE BRIDAL PARTY 


A bridal party comes down the steps of a palace of 
elaborately sculptured white marble. They are dressed 
in the gorgeous costumes of the eighteenth century, 
brilliant in color, of rich textures and beauty of design. 
The groom leads, and the bride, fresh in coloring, has her 
robe held by a page. Another page in violet walks 
beside her, holding her jewel case. Guests follow richly 
clad, and to the right a coach, with white horses, awaits 
the happy pair. The scene is one of great brilliancy and 
joyousness. Bright flowers bloom at the foot of the 
stairway in the garden. 


Signed at lower left, “C. DETTI.” 


Height, 32 inches; width, 25 inches. 


No. 37 
JAN MONCHABLON 


FRENCH 
Contemporaneous 
VIEW OF JONVELLE, SPRINGTIME 


A quaint little French village nestles among the hills 
and through the valley runs a river, crossed by a bridge. 
The red-tiled roofs catch the sunlight of a sparkling spring 
day and the intense blue of the sky is reflected in the 
stream. Hverywhere the trees break out into bloom and 
the freshness of the season is apparent. All is rendered 
with the alluring detail that has made this man such a 
favorite. 


Signed at lower right. 


Height, 134 inches; width, 94 inches. 


No. 38 
CHARLES MEISSONIER 
FRENCH 
Contemporaneous 
FLEMISH TAVERN 


In a quaint old interior, seated before a table, are two 
cavaliers engaged in earnest conversation. One, in red 
velvet, holds a mug in his hand, the other has a long 
churchwarden pipe. A woman stands cooking before a 
ereat fireplace and talks to a soldier in brown. Out 
through the door one sees the throngs im the street passing 
and in a corner of the room two retainers converse. Son 
of the great Meissonier, this painter has naturally fol- 
lowed along lines developed by his father, of which this 
composition is typical. 


Signed at lower right, ‘CHARLES MEISSONIER.” 


Height, 154 inches; width, 18% inehes. 


ee ; No. 39 
VINCENZIO MARCH 
ITALIAN 


Contemporaneous 


THE TROUBADOR 


The picture represents an old auberge on the Roman 
Compania where, in front of the doorway sits a wandering 
musician with his guitar. A dog is beside him, and 
grouped about are peasants listening delightedly. From 
the chimneys of the clustered houses come up wreaths of 
smoke and all about is luxuriant vegetation. Some peas- 
ants in the distance load donkeys with garden produce. 
A woman knits in the foreground and children play. 
The artist, a friend of Fortuny, discloses marvelous skill 
in the rendering of his detail, painting and drawing with 
extraordinary facility and the types are all well presented. 
The brilliancy of coloring is to be noted and is character- 
istic of the land. 


Signed at lower right, “V. MARCH.” 


Height, 15% inches; width, 264 inches. 


aa 
No. 40 
H. G. KRICHELDORE 
GERMAN 


Contemporaneous 
STILL LIFE 


Very realistically has this clever painter represented 
a lobster, brilliant in scarlet coloring, lying on a table. 
A green wine glass stands near and back are a castor and 
elaborately decorated wine jug. A few oysters serve to 
further make up the component parts of a feast. The 
work is unctuously rendered, with facile brush in a most 
artistic manner. 


Signed at upper right. ““H. G. KRICHELDORF, 1903.” 


Height, 214 inches; width, 30 inches. 


No. 41 
CHARLES HERRMANN LEON 


FRENCH 


Contemporaneous 
AT BAY 


Toward evening a stag has been brought at bay by a 
pack of hounds and in his despair stands in agony, his 
head’ thrown back while the dogs pile on top of him. : 
One is on his back, another runs at his left. A line of: 
dark hills is seen at the back and an evening sky of yellow 
is over all. The scene is one properly represented by a 
genuine sportsman, which the painter in this instance 
happens to be, and the drawing and construction of the 
animals are thoroughly understood. 


Signed at lower left, “C. HERRMANN LEON,” 


Height, 26 inches ; width, 32 inches. 


No. 42 


TONY ROBERT FLEURY 
: FRENCH 
Contemporaneous 
AN INTERESTING BOOK 


An attractive young woman sits comfortably in a 
chair and peruses a novel. She is clad in a light flowered 
dress and has hair of reddish tint which is done up in a 
knot on the top of her head. The light on the face is 
interestingly disposed and one finger is between the 
leaves of the volume. The coloring is delicate and full 
of charm and the sentiment of refined femininity is well 


conveyed. 


Signed at upper right, *'T. ROBERT FLEURY.” 


Height, 15 inches ; width, 12 inches. 


\\ No. 43 


J. H. van MASTENBROEK 
DUTCH 
Contemporaneous 
ON THE RIVER MAAS 


An active scene on the outskirts of a Dutch town, 
which is seen in the distance. Some vessels are moored 
to the wharf—a steamer with white striped funnel, a 
couple of barges and a lighter. On the shore are groups 
of workinen and near them an old shanty. <A line of 
trees mark the roadway by the river. down which is seen 
atow. A sky of white clouds is brilliant and adds life to 


the scene. All is painted with masterly breadth and 
directness. 


Signed at lower left, “J. H. V MASTENBROEK.” 


Height, 20 inches; width, 30 inches. 


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No. 44 
ARTHUR HOEBER 
AMERICAN 
Contemporaneous 
SEPTEMBER SUNSHINE 


Looking over a pool in the foreground, one sees a 
stretch of undulating country caught by the sunshine in 
the middle distance. To the right is a mass of trees, two 
slender ones separating from the group. Distant blue 
hills are tender in tone and the beginning of autumn is 
apparent in the yellow grasses manifest all about. A 
scene of quiet, pastoral simplicity, with sky interest and 
large cloud forms. 


Signed at lower right, “* ARTHUR HOEBER.”’ 


Height, 20 inches ; width, 30 inches. 


— 


\ bo No. 45 
J. S. H. KEVER 
DUTCH 
1854— 
AWAKENING OF THE BABY 


A mother bends over a cradle in which sits a baby 
that has justawakened. <A little sister plays with her and 
the painter has so disposed of his light and shade as to 
give a charming effect upon the fair hair of the two chil- 
dren. . A cupboard is in one corner and over a closet 
there hangs a mirror. On the floor lies a doll. The 
mother, a young woman of the peasant type, is dressed in 
brown and wears a white cap. She looks down at the 
pair with maternal solicitude, the scene being an intimate 
one of the simple peasantry of Holland. 


Signed at lower right, “ KEVER.” 


Height, 243 inches; width, 294 inches. 


/ 


Retwrn to the Stable 


ANTON MAUVE 


Catalogue No. 46 


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o No. 46 
ANTON MAUVE 


DUTCH 


1838-1888 


RETURN TO THE STABLE ‘ 


(W ATER COLOR) 


A little Dutch girl stands by a stable door which she 
holds open to allow some goats to enter. She has on a 
blue waist and a white cap and collar. Under one arm 
is a milking-pan. Against the gray wall of the building 
rests a broom. Some slender trees are to the left, while 


a gray sky is overhead. 


Signed at lower right, “A. MAUVE.” 
Height, 74 inches ; width, 11 inches. 


From the BOUSSOD VALADON & C!® Collection, Paris. 


No. 47 

J. H. WEISSENBRUCH 
DUTCH 
18— 


CANAL BARGES 


(WATER COLOR) 


This is a sketch of a canal running by the side of 
some woodland. There is a gray sky, with touches of 
light here and there, and to the left deep ruts in the 
roadway. The distance is gray and nebulous, and the 
work is a truthful impression of a familiar Dutch scene. 
In the middle distance stands perhaps a toll-house, and a 
couple of figures are suggested at the left center of the 
composition. 


Signed at lower right, “ J. H. WEISSENBRUCH.” 
Height, 8% inches; width, 134 inches. 


From the J. STAATS FORBES Collection, London. 


No. 48 
JOSEF ISRAELS 
DUTCH 


1824 


REST BY THE WAYSIDE 


(WATER COLOR) 


Leaning against a fence rests an aged peasant woman 
who has thrown aside her heavy basket and free from its 
weight, is bent in tired contemplation. The time is the 
late afternoon of a dreary, gray day. Some slender trees 
are to the right of her and behind is a long thin line of 
blue distance. The work is simply washed in and the 
expression of the face is one of serious thought. 


Signed at lower left, ‘‘ JoSEF ISRAELS.” 
Height, 104 inches; width, 144 inches. 


From the J. STAATS FORBES Collection, London. 


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' L No. 49 
vad \ PIETER TER MEULEN 
DUTCH 
1843- 


SHEPHERD AND FLOCK ON THE DUNES 


An old shepherd leads his sheep along a sandy road 
by the side of some trees. His faithful dog brings up the 
rear. The sun casts shadows and the light is brilliantly 
disposed about the picture. A blue sky has in it some 
filmy white clouds and a blue distance shows the sea. 
The painting, characteristic of this admired Dutch ~ 
school, is broad and authoritative, while the pictorial 
interest is well maintained. 


Signed at lower left, * TER MBULEN.” 


Height, 324 inches; width, 394 inches. 


No. 50 
JULES BRETON 
FRENCH 
1826- 
NORMANDY PRASANT GIRL 


A pretty little peasant girl is seated by the side of a 
road under the shadow of a great tree. She wears the 
white Normandy cap and has her hands on her lap. A 
waist of dark blue, a skirt of lighter tone and a little 
shawl thrown over her shoulders make up her costume, 
which is highly picturesque and unconventional. Beyond 
the shadow, the light catches the green field and there is 
a line of warm distance. It is a genuinely attractive 
transcript of nature that the great Frenchman has given 
here with alluring spontaneity. 


Signed at lower right, ‘‘ JULES BRETON.” 


Height, 121 inches ; width, 92 inches. 


No, 51 

LEON AUGUSTIN LW’HERMITTE 
FRENCH 
1863- 


AT THE SPRING 


(PASTEL) 


At the side of a spring an old French peasant woman 
kneels to fill her jar, while another and younger woman 
stands with a jug on her head. A road winds down to 
the water which flows under a bridge of stone. Back isa 
line of trees and distant hill all under a sky of blue. It 
is all drawn with consummate skill, as is the work of 
L’hermitte always, and rendered with sympathetic feeling. 
The medium of pastel is a favorite one with this artist, 
who gives it invariably a quality of much charm. 


Signed at lower left, ‘lL. L’HERMITTR.” 


Height, 15 inches; width, 19 inches. 


No. 52 
JOSEPH BAIL 


FRENCH 
GOSSIPS 


Seated by a window are two sisters of some religious 
order, with white caps and collars. They are engaged in 
conversation over some bit of sewing and there comes 
through the window a brilliant effect of lighting, most 
effective. By their side is a three-legged table of rude 
make, on which is a sewing basket; a second Hes on the 
floor. A jog in the room recedes in the distance and 
there is an air of great simplicity to the apartment. 


Signed at lower right, “ BATL, JOSEPH.” 


Height, 18 inches; width, 214 inches. 


No. 53 
HENRI HARPIGNIES 
FRENCH 
1819- 
EVENING ON THE LOIRE 


A great tree is massed against an evening sky of 
warm yellow, with red streaks along the horizon. 
Smaller trees are outlined against this sky and all are 
reflected in the stream in the foreground. There are 
warm greens and blue distance, and the work is marked 
by great simplicity of handling. The panel, painted 
when the artist was eighty-three years old, has all the 
vigor of his youthful touch, with greater color charm. 


Signed at loier left, “ H. HARPIGNIES 702.” 


Height, 10} inches; width, 164 inches. 


No. 54 


P. J. A. DAGNAN-BOUVERET 
FRENCH 
18— 
THE NEW NOVEL 


A very attractive young woman is seated in a chair 
and in one hand holds a novel. She rests her head on the 
other and has her face turned toward the spectator. Her 
very blonde hair falls over her shoulders and catching the 
light, forms a sort of halo about her head. She is 
gowned in blue and has a string of beads about her neck. 
The expression of her face is one of serene contemplation 
and the eyes have a far-away look. 


Signed at lower right, “P. A. J. DAGNAN-B.” 


Height, 24 inches; width, 194 inehes. 


CLA > S 
Ay No. 55 
C. F. DAUBIGNY 
FRENCH 


1817-1878 
MISTY MORNING 


Through wet fields from which arises a mist, a peasant 
woman drives some cattle to drink. The sun breaks 
through the clouds in yellow tones and patches of blue 
are seen overhead. Over the undulating valley one sees 
the distance gray, blue and soft, and there is the suggestion 
of a farm house to the left. Some slender trees are to the 
right, under which is a red cow. 


Signed at lower right, “ C. DAUBIGNY.” 
Height, 9 inches; width, 154 inches. 


From the J. STAATS FORBES Oollection. 


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J. B.C. COROT 
FRENCH 
1796-1875 
MORNING IN THE VALLEY 


Some willow trees and a birch to the left of the com- 
position come up against a warm evening sky, and a 
eroup of woodland to the right makes a strong note. In 
the distance are seen some buildings outlined against the 
heavens, and a stream flows through the centre of the 
picture. Some figures rest by a tree trunk. The tender 
grays characteristic of Corot are evident throughout the 
work, which has the charm of the great French master. 


Signed at lower right, ‘* Corot.” 
Height, 123 inches; width, 16 inches. 


From the F. BAYER Collection, Paris. 


> 


y No. 57 


JULES DUPRE 
FRENCH 


1811-1889 


CATTLE IN THE POOL 


Kiminently characteristic of this distinguished French 
painter, this little masterpiece fairly glows with light and 
rich coloring. It shows a stream wherein are cattle. 
Some willows are near the bank and are reflected in the 
water. A sky of blue is banked with white clouds, the 
marshes recede into a soft distance, and there are both 
that solidity and construction to the landscape that bespeak 


the distinguished craftsman. The work is a most unusual 
example. 


Signed at lower right, “J. DUPRE.” 


Height, 94 inches ; width, 13 inches. 
From the Boussop VALADON & C! Collection, Paris. 


Cattle in the Pool 


Catalogue No. 57 JULES DUPRE 


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No. 58 
MARIE DIETERLE 
FRENCH 
Contemporary 


CATTLE AT THE POOL 


(NORMANDY FARM) 


Near an old, thatched-roofed farm house, a herd of 
‘attle pause on the way home. Some drink at the pool 
and a dog watches. <A great red and white animal is in 
the foreground. Behind her is a white one and in-the 
distance there are some figures. The animals are painted 
with great distinction by this most famous of living cattle 
painters, and the canvas is of great importance with its 
fine sky and adinirable painting. 


Signed at lower right, “ MARIE DIETERLE.” 


Height, 31 inches; width, 41 inches. 


No. 59 
FREDERIK HENDRIK KAEMMERER 
FRENCH 
1839-1892 
MERRY GO ’ROUND 


At a country fete, a group of patricians of the time of 
Louis XVI, ladies and gentlemen of the Court, disport 
themselves on a “merry-go-round.” Beautiful women, 
gaily dressed in laces, satins and silk, are seated on 
wooden horses. They disclose attractive hosiery and 
footwear. Two musicians play on horns and a gallant 
stands by regulating the sport. Other groups dance at 
the right, and it is all a gay scene of much life and 
thoughtless happiness. 


Signed at lower left, “F. H. KAEMMERER.” 
Height, 34 inches; width, 59 inches. 


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Magdalene 


Catalogue No. 60 FRANZ VON LENBACH 


No. 60 


FRANZ VON LENBACH 
GERMAN 
1836-1904 
MAGDALENE 


The German master gives us here one of his wonder- 
fully painted female figures, a Magdalene, in black, one 
hand at her breast, the other outstretched on her lap. 
Her hair, deep copper-colored, falls over her shoulders 
in wavy masses and her sweet, pale face, with sad _ half- 
closed eyes, is full of gentle pathos. It is a canvas fully 
representative of this remarkable painter’s endowment, 
one to hold the spectator profoundly impressed. 


Signed at lower right,‘ ¥. LENBACH,” 1901. 


Height, 36 inches ; width, 23 inches. 


No. 61 
J.J. HENNER 


fo FRENCH 
1829-1906 
A PATRICIAN 


One of the delightful profile heads by this master of 
a young girl with the famous Titian hair of red, a head- 
dress of scarlet and a robe of blue. The lighting is the 
master’s own and most effective, while the painting has 
the suggestive quality and loose touch that brought this 
artist fame. In short, the panel is a representative work 
and carries conviction. 


Signed at lower left, “J. J. HENNER.” 


Height, 13 inches ; width, 8% inches. 


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No. 62 
dee AZEN 
FRENCH 
1840-1901 
EARLY MORNING. OUTSKIRTS OF PARIS 


Past the gate of the Octrot, or City Customs House, 
we see a road vanishing off in the distance. On either 
side of the entrance to the house are great stone posts, 
and to the right a high wall. A willow tree comes 
against the sky, in which isthe moon. The picture is filled 
with a glow of warm pink gray, characteristic of M. Cazin 
and of much charm, while the painting is executed with 
masterly directness and suuplicity. 


Signed at lower left, “J.C. CAZIN.” 
Height, 19 inches ; width, 24 inches. 


From the BOUSSOD VALADON & C'™ Collection, Paris. 


No. 63 
FRITZ THAULOW 
NORWEGIAN 
1847-1907 
SPRINGTIME, VALLEY OF THE DORDOGNE 


Looking up a most picturesque stream, one sees a hill- 
side sparkling under the light of an early spring day. A 
cluster of distant houses and towers is reflected in the 
water and nearer by, a stately towered mansion with red- 
tiled roof comes up against the sky. It is walled about 
and has tall chimneys. To one side a tree is in white 
blossom. In the foreground a larger tree spreads its 
branches, the shadows of which are cast on the wall. A 
peasant goes up a pathway and the river swirls past the 
shore with that rippling surface that Thaulow represented 
so well, while the composition is gay with decorative color. 


Signed at lower right, “ Fritz THAULOW.” 


Height, 25% inches; width, 32 inches. 


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No. 64 
HENRI HARPIGNIES 


FRENCH 


1819- 
SOUVENIR OF CAPE MARTIN 


This nnportant work, one of Harpignies’ most success- 
ful efforts, is of singular composition and color charm. 
A great stretch of water catching the wind breaks into 
white caps. The rugged outline of the promontory is 
softened by the intervening air into tender blue distance 
and some pines come strong against the sky which is full 
of light. Kverywhere there is the sparkle of light, the 
freshness of the coast and sea, and these are rendered 
with wonderful artistry. This work, dated 1907, was 
painted in the 88th year of Harpignies’ age. 


Signed at lower left, * H. HARPIGNIES, 1907.” 


Height, 26 inches; width, 32 inches. 


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No. 65 
NARCISSE. VIRGILE DIAZ DE LA PENA. 
FRENCH 
1809-1876 
HUNTING DOGS. FONTAINEBLEAU FOREST 


A group of hunting dogs is scattered about under the 
shadow of a great tree at the edge of the famous forest 
of Fontainebleau. Through the limbs is seen a blue sky 
flecked with white clouds. There are five of the animals, 
black, white, brown and mixed in color, and they are 
painted with authority, in the inimitable manner of the 
distinguished Frenchman, with breadth and charm, the 
tones being rich and full of quality. 


Signed at lower left, “N. Diaz.” 
Height, 104 inches; width, 132 inches. 
From the BOUSSOD VALADON & C™ Collection, Paris. 


No. 66 


RUDOLPH RIBARZ 


AUSTRIAN 


Contemporaneous 


THE SUNNY ROAD 


A road runs by a quaint farm house with white wall 
and straw thatched roof. Some geese waddle along seek- 
ing shadow. Distant trees come up against the sky which 
is of blue, streaked with white clouds. Broadly painted 
and in capital color, the picture is very modern in quality 
of light and atimosphere. 


Signed at lower left, * RIBARZ.”’ 


Height, 18 inches ; width, 21 inches. 


ayfy 


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No. 67 

pe T / \DOLPH SCHREYER 

h a eS | GERMAN 

o x 1828-1899 


THE RATDING PARTY 


A group of Arab horsemen sit on their mounts in the 
shadow of a hillside and look off toward a flat plain that 
stretches away brilliant in the sunshine under a blue sky. 
Their animals are in picturesque attitudes and the many- 
colored garments of the men make gay notes. Long guns 
are swung behind them or are held in their hands and 
two of the dark-skinned party engage in earnest conver- 
sation. The canvas is characteristic of this distinguished 
painter, who has worked here in vigorous, broad brush 
sweeps, aking an engaging composition of the liveliest 
interest. 


Signed at lower right, ** AD. SCHREYER.” 


Height, 27 inches; length, 38 inches. 


The Raiding Party 


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Catalogue No. 67 ADOLF SCHREYER 


No. 68 
WILLIAM M. CHASE 


AMERICAN 
Contemporaneous 


OLD MILL AT BRISTOL 


A canal which is crossed by a wooden bridge is to the 
left of the picture. On its borders is a quaint house with 
great piazza and red roof, while a fence, also red, encloses 
ayard. To the right is an old mill built of stone and 
wood, and a green bank extends to the water. AI these 
are reflected in the canal, as is the pale blue and white 
sky. It is all an interesting glimpse of a picturesque 
village corner that offered much to the painter. 


Signed at lower right, “WM. M. CHASE.” 


Height, 18 inches; rwidth, 24 inches. 


No. 69 
JOSEF ISRAELS 


DUTCH 


1824- 


ALONG THE SHORE 


A young fishergirl with basket on her back wanders 
along the sands gazing seaward. Poorly clad, yet highly 
picturesque, she wears a soiled white cap and has her feet 
bare. Sky, water and beach are full of light and beauti- 
ful tones and the work breathes the sentiment of these 
simple toilers near the sea. Characteristic of this dozen 
of the Holland men, the little panel is a gem in its way. 


Signed at lower right, “* JOSEF ISRAELS.” 
_ Height, 14 inches; width, 104 inches. 


From the BOUSSOD VALADON & C!™ Collection, Paris. 


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No. 70 4+ 
B. J. BLOMMERS | “At 
DUTCH : 
Contemporaneous 
CHILDREN ON THE BEACH 


A group of Dutch children are playing on the beach. 
Two little girls watch a lad sail a small boat. They 
stand hand in hand as the boy bends over his craft. 
Other boys sit on the sands or play with their boats, and 
some more are seen bathing on the outer bar. The scene 
is one of great naturalness and is typical of these embryo 
mariners, while there are charm and sparkle to the color- 
ing, with a lovely quality of summer sunshine. 


Signed at lower right, * BLOMMERS.”’ 
Height, 31 inches; width, 46 inches. 


From the ARTIST. 


No 71 
LOUIS EUGENE BOUDIN 


FRENCH 


1824-1898 


TROUVILLE, VUE PRIS DU TOUR 


The picturesque and fashionable seaport town is seen 
here under a brilliant summer sky, the many-colored 
walls of the houses making striking notes. The place is 
full of shipping and the quay crowded with people. Some 
sinall boats are anchored in the water in front and men 
are rowing another towards the spectator. Painted with 
great directness and simplicity, the canvas is particularly 
charming in its light and atmosphere. 


Signed at lower left, “ K, 30UDIN, 780.” 


Height, 145 inches; width, 23 inches. 


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No. 72 
CHARLES J. DAUBIGNY 
FRENCH 
1817-1878 
SUMMER DAY ON THE SEINE 


A very beautiful transcript this, of the French river 
under a summer sky with rich, luxuriant greens and 
tender distance. To the left, on the nearby bank, is a 
cluster of trees, with some peasants near the water. There 
is a bridge crossing the stream near the centre of the 
composition and to the right on the shore, cattle graze. 
A peaceful summer sky is overhead, of white and blue, 
which is reflected in the water. The work is charac- 
teristic of the great French landscape painter, a noble 
exainple of his best manner. 


Signed at lower left, “* DAUBIGNY, 1875.” 


~~ 


Height, 16 inches; width, 27 inches. 


From the Boussop VALADON & C! Collection, Paris. 


No. 73 
JACOB MARIS 
DUTCH 


1838-1899 


THE DOME, AMSTERDAM 


From the water front one sees the city spread out, ifs 
buildings of interesting architecture massed against the 
sky. Here are superbly painted clouds and the dome of 
the cathedral makes a great, impressive mass. Masts rise 
up and sails here and there give notes of color, while the 
red roofs add a touch of brilliancy. Some canal boats 
are moored to the wharves, and in front of the composition 


are many drifting logs. : 
Signed at lower left, “ J. MARIS.” 


Height, 183 inches; width, 30 inches. 
From the J. STAATS FORBES Collection, London. 


The Dome, Amsterdam 


Catalogue No. 73 JACOB MARIS 


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No. 74 
FELIX ZIEM 
FRENCH 
1821-1906 
JANAL LA GIUDECCA, VENICE 


No painter among the moderns is more associated 
with Venice than Ziem, who remained always faith- 
ful to her artistic attractiveness. He painted her in 
most of her fascinating moods, one of which he gives in 
this superb canvas. Here are the long lines of beautiful 
structures, palaces and churches, her quays and foreign 
shipping, brilliantly illumined under the late afternoon 
sun. In the foreground is a gondola filled with brightly 
dressed women. Other gondolas float about, and to the 
extreme left isan archway. The deep blue sky is reflected 
in the canal, and the picture is a realistic impression of 
the place, as it is a most important example. 


Signed at lower left, ** ZIEM, 1883.” 


Height, 27 inches; width, 43 inches. 


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